These photographs are part of a large and growing body of work created by We Animals, which is a non-profit organisation that advocates for all animals through photojournalism. These stories capture our fraught relationships with animals, and slowly create ethical and cultural shifts in society that empower human capacity for compassion and change.
The animals we interact with each day are often hidden from view and the public conscience. Long gone are the days when the animals around us were either wild or pets. In the Anthropocene, which is the proposed name for the current geologic epoch, animals are a business, and we raise them by the billions each year. They are the animals we eat, wear, use for research, entertainment, and work, as well as in traditions and sacrifice. The animals we pull from the sea are uncountable, so we measure their numbers not by the individual, but by the ton.
There is a new genre of photography, simply called animal photojournalism. It documents not just wildlife and pets, but all animals. This photo essay offers examples of animal photojournalism (APJ) from photographers in different regions of the world. Wherever we are, there are subjugated animals in captivity and in industrial farming systems whose lives need to be seen and considered. These stories don’t exist in a bubble, but overlap with the escalating problems of pollution, climate change, and human health and rights.
The photographs in Hidden Animals in the Anthropocene are both a testament and a memorial to animal lives. Most importantly, they ask us to de-centre ourselves and see with empathy.
Featured image above: The interior of the transport truck is reflected in this cow’s eye. Canada, 2018. Photo: Louise Jorgensen / HIDDEN / We Animals